Title: MOVIE REVIEW: "As Good as It Gets": Grade: A: Starring Jack Nicholson, Helen Hunt and Greg Kinnear. Directed by James L.: Brooks. Rated PG-13 for language and brief violence. At Phipps Plaza.: Opens w

Date: 12/23/1997; Publication: The Atlanta Journal and Constitution; Author: Eleanor Ringel FILM EDITOR


The Atlanta Journal and Constitution

12-23-1997

Some movies come gift-wrapped in their own reviews. "As Good as It Gets" is precisely that ---about as good as it gets when it comes to a funny, perceptive, sometimes poignant comedy-romance about mixed-up Manhattanites (well, technically, two Manhattanites and a Brooklynite).

Let's start with Melvin Udall, a best-selling writer who stuffs a neighbor's dog down a garbage chute and spews un-P.C. venom at anyone who turns up. Of course, underneath all the misanthropic vitriol is a scared-silly obsessive-compulsive who uses a bar of soap only once before throwing it away, locks his door five times and avoids stepping on cracks in the sidewalk.

Because Melvin is played by Jack Nicholson, one can be reasonably certain that he'll change and discover his inner . . . something. It's how that happens that makes "As Good as It Gets" as good as it is. The initial catalyst is the aforementioned pooch, which becomes Melvin's temporary guest after its owner, a gay artist named Simon (Greg Kinnear) who's received his share of Melvin's insults, is beaten by punks. Melvin "volunteers" to help after Simon's art dealer and good buddy (an underused Cuba Gooding Jr.) "volunteers" to rearrange his face if he doesn't.

An even more important factor in Melvin's rehumanizing is Carol (Helen Hunt), a waitress at the only restaurant to which Melvin will venture. A single mom with a sickly son, she's a no-nonsense saint who pretty much puts up with Melvin as long as he pretty much behaves himself. But even she runs out of patience on occasion: "Do you have any control over how creepy you allow yourself to get?" Writer-director James L. Brooks, who has blessed us with everything from "The Mary Tyler Moore Show" and "The Simpsons" to "Terms of Endearment" and "Broadcast News," is a savvy humanist with a humorist's ear. Not only can he make us believe that a curmudgeon would go all gooey over a little dog, but he makes us laugh about it and then get all choked up about it in the same scene.

Melvin is very much of a conceit ---too suddenly Santa to pass a reality check. But with Nicholson in the role, it works. Nobody rants as well as Smilin' Jack; nobody charms like him either. Kinnear is also crucial. He takes Hollywood's new favorite cliche ---the gay guy who's a real person ---and makes him, well, a real person. Then there's Hunt, who keeps getting better and better (and she was pretty wonderful to begin with). Whether chasing twisters or tangling with a twisted guy like Melvin, she's funny, smart, sexy and utterly appealing. What's more, she can hold her own with a seasoned scene stealer like Nicholson.

The film could use some trimming, and the age difference between Hunt and Nicholson is a minor irritant (to his credit, Brooks initially thought she was too young, but she was too good not to cast). But overall, "As Good as It Gets" delivers the goods with style, wit and heart. Simon says early on, "You look at someone long enough and you discover their humanity." Brooks has been looking for a long time. It shows.

Copyright 1997, The Atlanta Journal and Constitution, All rights reserved.

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